Jazz Spectrum 91
Saturdays at 9:00 p.m.
Hosted by Fritz Byers, Jazz Spectrum 91 is designed as an anthology, a loose and flowing tour through the history of the music, showcasing the wondrous diversity of jazz and the virtuosity of the musicians who play it. The notion of jazz history, in any formal sense, is problematic, since the best recordings are timeless, tied not so much to time and place as to personal and collective inspiration, which, like all thunderclaps of genius, defy tidy explanation. Jazz is marked, at once, both by limitless innovation and enormous discipline, and it is this tension -- between the individual and the group, between form and invention -- that makes jazz such a source of boundless fascination. And joy.
- Views: 676 This Week on Jazz Spectrum 91
May 4, 2013 - Twenty years ago, Wynton Maralis and his septet recorded one of the group's most enduring pieces, Blue Interlude, Tonight, we'll hear extensive selections from this great date.
May 11, 2013 - Tom Harrell is admired as a trumpeter, and perhaps even moreso as a composer. Tonight we survey some of Harrell's most intriguing creations.
- Views: 83 Jazz Spectrum - Best of 2012
Best of 2012
Sometimes I imagine jazz musicians as a flock of scavengers in reverse, flying over the whole vast history of the music to sort among its many diverse bodies and dispensing new life to work once thought dead. A couple of decades ago, Gary Giddins used the phrase “neo-classical eclecticism” to describe the then-current mood of jazz. That was apt then, and remains so: so much is going on in the music these days that its seems as linear as a Mobius Strip. And we all remember how cool that was to discovery. Here are 50 releases from the year – the odds are excellent that you’ll find some things to surprise and engage you. (* denotes a special favorite.)Read more
- Views: 169 Jazz Spectrum - Best of 2011
Best of 2011
In listening back over a year’s worth of releases, I keep thinking of the tagline from James Toback’s movie, Black and White: “What if you mixed everything up.” That’s how this year sounds to me. “Eclectic” doesn’t quite capture it. Neither does “multi-genre,” or its close (and possibly clichéd) sibling, “genre-bending.” Let’s just say that jazz this year is mixed with all sorts of influences, taking whatever works, wherever it’s found. And making it all new. Just like always. Happy New Year.Read more
- Views: 300 Jazz Spectrum - Best of 2010
Best of 2010
Jazz, despite murmurs of its demise, remains vibrant, diverse, intriguing, and irresistible. Major jazz labels are shriveling if not dying, but new and wonderful music continues to issue in a widening stream. Here are 50 releases from the year that struck me as especially memorable. (* denotes special favorites.)Read more
- Views: 785 The Alchemy of Scott Lafaro, by Kim Kleinman
The bassist Scott Lafaro's voice -- fresh, vibrant, and melodic -- transformed the instrument and its role in jazz. Working with artists as diverse as Bill Evans and Ornette Coleman, created pure gold in a form of artistic alchemy. Kim Kleinman considers Lafaro's achievement.
- Views: 802 Honoring Blue Mitchell, by Fritz Byers
The trumpeter Blue Mitchell created a substantial body of tasteful, expressive, and affecting music, including a series of recordings in the 50s and 60s for Riverside and Blue Note that document a sensibility of consistent excellence and appealing reserve. Fritz Byers honors Mitchell's memory.
- Views: 631 Jim Hall - An Appreciation, by Fritz Byers
For fifty years, Jim Hall has been making jazz. His accumulated body of work is rich, fluid, and marked by sustained excellence. It also reflects Hall's relentless inventiveness. Fritz Byers considers Hall's career.