The American Political Items Collectors (APIC) is a group of history buffs and fans of the political process who treasure the items of the past.
Every year in Northeast Ohio APIC gathers for its "Big Collectibles Show," where over 250 tables of antiques and memorabilia are traded, sold, appraised and appreciated by both collectors and the general public.
Starting this month, people inside Ohio’s prisons will get more access to local journalism on criminal justice.
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
When the Metropolitan Museum of Art reached out to Ernest Hershberger with an opportunity to collaborate, the Amish furniture maker was stunned.
“You know, I knew about them,” Hershberger said. “But I did say, ‘Well, who's the Met?’ And I still get made fun of for that.”
Most of the people at Stanley Galaszewski’s burial ceremony never knew him.
He died more than 80 years ago.
Still, the crowd on the crisp November afternoon swelled with extended family, leather-jacketed Patriot Guard Riders, a group of quiet school children.
Together, they bowed their heads in prayer to honor the fallen World War II sailor.
